Shop :: The Day For Night 30th Anniversary CD Reissue Catalogue
Eric Scott is the label boss, musical director, composer, songwriter and producer of the works on the Day For Night label. This portfolio collects full details on all the releases since 1991, from Day 001 - Day 100.
Overstimulus is not a plume.
Could it really be important enough to discuss what makes music important?
Yes and no. Other people who are genuinely interested in music will definitely join me on this one.
“Writing about music is like dancing about architecture.” Thanks to debatably, either Elvis Costello, or Frank Zappa for that gem. Or both.
We aren’t really interested in reading about something we can hear. So, in general, our ocular and auditory senses get a good dose through the industries of entertainment and sponsorship. It seems likely enough, too.
As the invariable product of a metaculture, obsessed with technology since the industrial revolution. Make something, find a use for it later is the motto of many inventors and designers. (And I hang my head, as I am definitely guilty of that one, at least on a drawing-board level.)
Perhaps Salvador Dalí correctly intuited that his lack of clarity, into the motivations for his own painting justified his theory of surreal, subconscious thought processes. Then again, nobody forces anyone else to release useless shit onto the market…So why does this continue to bother us?
Overstimulus is but one way to get the world to submit to this spectacle.