And naturally, it must all be experienced…
What I mean by this, is that the only artifacts of early Situationism are the words…This is what a mostly-failed movement could offer, if not for the inclusion of Fluxus style lightness to divert and to subvert. No website that writes about Post-Situationism, without also “detourning” at the same time could be of any real […]
The modern (public) space may also be subverted to this end.
Subverting the public space of the web has been Day For Night’s m.o. since 1995, when it began to create NIGHTlinkRail, NoelCrane.com and numerous web presences for the show ALIAS. The objective of such diversion was to distract and amuse, to subvert and shake. Since, this has become absorbed into the “Integrated Spectacle” — it […]
Historically-speaking.
It is by coincidence that the use of a realist metaphor, that subverting the language of advertising can become a big part of how something like that gets presented. For example, we have Simon Patterson’s “The Great Bear”, joining the world’s public persona, engineers, comedians, royalty, planets and major philosophers on a tube map; the […]
Invocation and the integrated Spectacle.
I’ve always had this passion for fiction intertwining with reality, and blurring those edges – especially where these either make for a good dialogue about life and art. Perhaps it even fulfills a need I have; for irony to find a home in art. The effect of bringing lightness and humor to every experience now […]
Internet Theatre.
Words, to describe pictures of people who use words and pictures, to describe places and things. The Situationists were a league of French political artists during the latter 20th century, whose slant on social reform took the form of a surreal post-Dadaist manipulation of word and text. Often, their détournements (diversions) involved the supplanting of […]
Identity: An image of 2 people kissing before a twilit bay.
day 008, identity, day for night, eric scott
Without labels or genres.
Current policy is to remove harmful or limiting adjectives from any stage of the creative, or music-making process. As I began to use language that felt free of terminology, labeling or artistic judgment, I found that I also felt happier about much of it. Instead, I was favoring a system of organizing music by its […]
Process #1. Developing content, via consistency.
Begin by putting all the ideas into a kind of bag. This restores a greater degree of equality between each idea. This, in turn, builds awareness of the effects (sometimes adverse) which labels can have upon our beliefs about what we create and do. So de-labeling at the beginning, that is a system that works […]
Musical chairs.
I have limited attention and like to work on only one project at a time. But often, I’m required to manage many more, and so my attention is continually being divided between what I feel I should be doing and what I prefer to be doing. So, each week at Day For Night, Thursday is […]
The "responsible" artist.
So what is a musician’s responsibility, as an artist, to music before all else? Electronica, in musical terms, is a sort of textless world… The prospect of less politics may be what makes this seem so encouraging. After all, it captures the inspiration of so many solo music-makers, along with the immediacy of the process. […]